END OF THE RAINBOW
end of the rainbow
PORCHLIGHT MUSIC THEATRE, 2016
Written by Peter Quilter
Direction by Michael Weber
Music Direction by Jon Steinhagen
Starring Angela Ingersoll
chicago premiere
“Garland is here performed by Angela Ingersoll. It is a simply magnificent portrayal, especially vocally, which is really what matters the most. It will, I think, be enough to make this show a huge hit as we go into the holiday season and, by rights, it should transform Ingersoll’s career in this town.”
Chris Jones, Chicago Tribune
“Leave it to Michael Weber to bring the Chicago Premiere of Peter Quilter’s ‘End Of The Rainbow’ to the intimacy of Porchlight Music Theatre. WOW!
The amazing Angela Ingersoll bringing Judy Garland to life. When I say Amazing, I mean AMAZING!!! She looks like her (circa 1968), she sounds like her, and I would have to say almost made me feel that I had gone back in time and was a fly on the wall of the London hotel where Ms. Garland stayed. WOW! and double Wow!
When we get to the final number, ‘Over The Rainbow,’ one can see the tears fall down her cheek and don’t be surprised to find that you are seeing her tears, through yours! Yes, I suggest a few tissues in your pocket or purse. You will need them.
If you are a Garland fan, I suggest you find a way to see this masterpiece.”
Al Bresloff, Around the Town Chicago
“Judy Garland is played to perfection by Chicago musical theatre actress Angela Ingersoll in director Michael Weber’s fresh, forceful production. In addition to Michael Weber’s driving, yet sensitive direction, the production is also the work of many behind-the-scene artists, as well. The play is tempered by Jon Steinhagen’s excellent musical direction and piano accompaniment. He’s enhanced by a terrific five-piece combo that magically appears out of nowhere. Historical authenticity is provided by Ross Hoppe’s newsreel projections, while costume designer Bill Morey shows why he’s a multi Jeff Award-winner, with his array of authentic, elegant, glitzy 1960’s fashions.”
Colin Douglas, Chicago Theatre Review